The excess of Canon Digital SLR reduction factor for wide-angle
The crop factor digital SLR, or the lens multiplication factor which has the effect of cutting the edges of the image and the extension of the central zone. The result is similar to using a longer lens or telephoto converter.
The effect of harvesting occurs because the sensor for digital SLR cameras is smaller than a 35 mm slide or negative. A picture of the film format 35 mm 36 x 24 mm, while the digital sensor, the Canon Digital Rebel (300D to 500D) and EOS D-series ** (20D to 50D and 7D)height is only 22.5 x 15 mm. A sensor of small dimensions, that is to preserve the image that will stop some of the image.
Look at it this way: You're watching a slide show on a screen, just big enough to contain the size of the image is replaced, then someone with the screen is smaller. Today, some of the projected images (top, bottom and sides), "Overflow" of the smaller screen, if that's what you see now, a customized version of the image.
You get a similar result when using aDigital SLR camera with a sensor that is smaller than a piece of 35mm film – the distribution of images through the lens "spillover" of the probe. Each space surrounding the subject is cut so that the subject fills the frame more now – but if there is no free space, part of the thing itself is cut.
This cropping or magnification is an advantage when using a telephoto lens, the result is similar to using a lens longer and 1.6x converter.
But for every hitAngle, the opposite is the case. Now that's awesome wide angle so appreciated for creating dramatic landscapes and tight indoor shots are semi-useless. A real range, as a Canon EF 24mm is "renewed" by 1.6x, so they are a focal length equivalent of 38.4 on your Rebel XSi or 50D.
Fortunately, Canon and other manufacturers of digital SLR cameras, it is clear that they had the lenses to produce the factor of culture for photographers with wide-angle lenses to overcome.
TheThe result is a series of lenses designed for digital SLR cameras with sensors smaller than 35mm film created (often) of APS-C sensor size mentioned. While the factor of culture is still considered the use of these glasses, the lenses themselves are "shorter", both physically and lens focal length appropriate for a 35mm camera.
So the Canon Rebel kit lens is the EF-S 18-55mm. This would be classified as "Ultra Wide" (after wide) for a 35mm camera, but corresponds to acommon 28.8 88 mm – or zoom standard – when used with a Rebel XSi or 50D.
Although the Canon EOS Rebel digital SLR and D ** are classified as entry-level or "prosumer" cameras are also used by professionals, including wedding photographers, who were not sufficiently covered by the wide angle lenses available, with particular regard to image quality and focal length.
To overcome this problem, Canon has introduced two lenses are the soloists ofits range of EF-S for use on F ** and EOS Rebel:
* Canon EF-S 17-55mm f/2.8 IS USM
* Canon EF-S 10-22mm f/3.5-5.6 USM
The EF-S 17-55mm is remarkable for its openness f/2.8 throughout the zoom range, which combines with image stabilization, is especially effective for shooting in low light conditions without flash. It 'very popular with wedding photographers, and also as a lens for portraiture and travel.
Users, such as the lens for its sharpness and clarity at all focal lengths, autofocus speed, versatility and excellence in low light conditions. Their main dislikes of the price (the most expensive EF-S lenses), which loses the time and the size and weight.
However, he will get a score of 91% of users and is recommended as a high-quality lenses for cameras APS-C.
The objective EF-S 10-22mm is significant because it is the only true ultra-wide angle lens for Canon EOS Rebel figures ** and D. Fit that on the lens> Canon 40D, and is equivalent to a 16-35mm on 35mm camera body C or full frame with photographs of creative ways otherwise not possible with APS.
Users, such as lens sharpness, good color, autofocus quick and minimal distortion. They, like the price, the plastic construction, and the absence of a lens hood supplied.
But the picture quality is very advantageous compared to the Canon L series lens, and users give a rating of 90%, recommendingis essential for anyone who wants a true capacity for wide angle, or EOS Rebel Body ** D.
Users rebel SLR Canon EOS D ** is not the fault of the kit lenses for the image of the star less Quaility – Alternative (albeit at a price.)









